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BY OTHERS◆Saturday, March 1, 1580

by Michel de Montaigne

His book, bound again as a book of chapters, each one a thing to play with: a cat who plays with you, a fall from a horse, three remarks of which he forgot one, a ceiling to lie under, and a weathervane that is always right.

tags: montaigne, essais, skepticism, friendship, renaissance, self-portrait

author
Michel de Montaigne
filed
Saturday, March 1, 1580
revised
October 3, 2026
words
1,079
reading
~6 min

Essais · Bordeaux 1580 · Paris 1588 · Paris 1595

Of Montaigne

Which, like the chapters it is about, will not stay on its subject.

To the Reader

Reader, thou hast here an honest book; it doth at the outset forewarn thee that, in contriving the same, I have proposed to myself no other than a domestic and private end: I have had no consideration at all either to thy service or to my glory. My powers are not capable of any such design. I have dedicated it to the particular commodity of my kinsfolk and friends, so that, having lost me (which they must do shortly), they may therein recover some traits of my conditions and humours, and by that means preserve more whole, and more life-like, the knowledge they had of me.

Had my intention been to seek the world’s favour, I should surely have adorned myself with borrowed beauties: I desire therein to be viewed as I appear in mine own genuine, simple, and ordinary manner, without study and artifice: for it is myself I paint. My defects are therein to be read to the life, and … my natural form, so far as public reverence hath permitted me. If I had lived among those nations, which (they say) yet dwell under the sweet liberty of nature’s primitive laws, I assure thee I would most willingly have painted myself quite fully and quite naked.

Thus, reader, myself am the matter of my book: there’s no reason thou shouldst employ thy leisure about so frivolous and vain a subject. Therefore farewell.

From Montaigne, this first of March, 1580.

He tells you to go away. The first page of the first book ever to call itself essays ends Therefore farewell, and for four hundred and forty-six years readers have taken it as the warmest invitation in literature, and stayed. What follows is his book as he made it, a book of chapters, each titled Of something, each one a thing to pick up and turn over, and hardly one of them staying on its subject.

His longest chapter was meant to defend a theologian, and turned into a long proof that man is no better than the animals. He calls his cat as a witness.

Chap. I.Of my Cat

after II.12folio 1

Move over the rug, or tap it, to dangle the ribbon. Arrow keys work too; space twitches it.

You have amused the cat: 0. The cat has amused herself with you: 0.

She is washing. She has not yet decided to notice you.

Montaigne left it an open question. The cat did not.

The cat had the house. He kept the tower, and at the top of it a round room with sentences painted on its beams, where he walked round and round so that his thoughts would not fall asleep. Lie on your back in the middle of it, and choose one.

Chap. II.Of a Round Room

after III.3folio 9
Joist 1EXTREMA HOMINI SCIENTIA VT RES SVNT BONI CONSVLERE CÆTERA SECVRVM · ECCL ·Joist 2COGNOSCENDI STVDIVM HOMINI DEDIT DEVS EIVS TORQVENDI GRATIA · ECCL · I ·Joist 3ΤΟΥΣ ΜΕΝ ΚΕΝΟΥΣ ΑΣΚΟΥΣ ΤΟ ΠΝΕΥΜΑ ΔΙΙΣΤΗΣΙ ΤΟΥΣ Δ ΑΝΘΡΩΠΟΥΣ ΤΟ ΟΙΗΜΑJoist 4OMNIVM QVAE SVB SOLE SVNT FORTVNA ET LEX PAR EST · ECCL · 9 ·Joist 5ΟΥ ΜΑΛΛΟΝ ΟΥΤΩΣ ΕΧΕΙ Η ΕΚΕΙΝΩΣ Η ΟΥΔΕΤΕΡΩΣJoist 6NVLLIVS VEL MAGNÆ VEL PARVÆ EARVM RERVM QVAS DEVS TAM MVLTAS FECIT NOTITIA IN NOBIS EST · ECCL · 3 ·Joist 7SI TE FATA FERVNT FER FATA FERERE FERENTES FATA FERVNT RAPIVNT SIN MINVS ILLA FERASJoist 8O MISERAS HOMINVM MENTES O PECTORA CÆCA QVALIBVS IN TENEBRIS VITÆ QVANTISQVE PERICLIS DEGITVR HOC ÆVI QVODCVNQVE ESTJoist 9ΚΡΙΝΕΙ ΤΙΣ ΑΥΤΟΝ ΠΩΠΟΤ ΑΝΘΡΩΠΟΝ ΜΕΓΑΝ ΟΝ ΕΞΑΛΕΙΦΕΙ ΠΡΟΦΑΣΙΣ Η ΤΥΧΟΥΣ ΟΛΟΝJoist 10OMNIA CVM CÆLO TERRAQVE MARIQVE SVNT NIHIL AD SVMMAM SVMMAI TOTIVSJoist 11VIDISTI HOMINEM SAPIENTEM SIBI VIDERI MAGIS ILLO SPEM HABEBIT INSIPIENS · PROV · 26 ·Joist 12SICVT IGNORAS QVOMODO ANIMA CONIVNGATVR CORPORI SIC NESCIS OPERA DEI · ECCL · II ·Joist 13ΕΝΔΕΧΕΤΑΙ ΚΑΙ ΟΥΚ ΕΝΔΕΧΕΤΑΙJoist 14ΑΓΑΘΟΝ ΑΓΑΣΤΟΝJoist 15ΚΕΡΑΜΟΣ ΑΝΘΡΩΠΟΣJoist 16NOLITE ESSE PRVDENTES APVD VOSMETIPSOS · AD ROM · 12 ·Joist 17ΟΥ ΓΑΡ ΕΑ ΦΡΟΝΕΕΙΝ Ο ΘΕΟΣ ΜΕΓΑ ΑΛΛΟΝ Η ΕΩΥΤΟΝJoist 18NESCIS HOMO HOC AN ILLVD MAGIS EXPEDIAT AN ÆQVE VTRVMQVE · ECCL · II ·Joist 19HOMO SVM HVMANI A ME NIHIL ALIENVM PVTOJoist 20NE PLVS SAPIAS QVAM NECESSE EST NE OBSTVPESCAS · ECCL · 7 ·Joist 21SI QVIS EXISTIMAT SE ALIQVID SCIRE NONDVM COGNOVIT QVOMODO OPORTEAT ILLVD SCIRE · I COR · 8 ·Joist 22SI QVIS EXISTIMAT SE ALIQVID ESSE CVM NIHIL SIT IPSE SE SEDVCIT · AD GAL · 6 ·Joist 23NE PLVS SAPITE QVAM OPORTET SED SAPITE AD SOBRIETATEM · RO · XII ·Joist 24ΚΑΙ ΤΟ ΜΕΝ ΟΥΝ ΣΑΦΕΣ ΟΥΤΙΣ ΑΝΗΡ ΙΔΕΝ ΟΥΔΕ ΤΙΣ ΕΣΤΑΙ ΕΙΔΩΣJoist 25ΤΙΣ Δ ΟΙΔΕΝ ΕΙ ΖΗΝ ΤΟΥΘ Ο ΚΕΚΛΗΤΑΙ ΘΑΝΕΙΝ ΤΟ ΖΗΝ ΔΕ ΘΝΗΣΚΕΙΝ ΕΣΤΙJoist 26RES OMNES SVNT DIFFICILIORES QVAM VT EAS POSSIT HOMO CONSEQVI · ECCL · I ·Joist 27ΕΠΕΩΝ ΔΕ ΠΟΛΥΣ ΝΟΜΟΣ ΕΝΘΑ ΚΑΙ ΕΝΘΑJoist 28HVMANVM GENVS EST AVIDVM NIMIS AVRICVLARVMJoist 29QVANTVM EST IN REBVS INANEJoist 30PER OMNIA VANITAS · ECCL · I ·Joist 31SERVARE MODVM FINEMQVE TENEREJoist 32QVID SVPERBIS TERRA ET CINIS · ECCL · 10 ·Joist 33VÆ QVI SAPIENTES ESTIS IN OCVLIS VESTRIS · ESA · 5 ·Joist 34FRVERE IVCVNDE PRÆSENTIBVS CÆTERA EXTRA TE · ECCL · 3 ·Joist 35ΠΑΝΤΙ ΛΟΓΩ ΛΟΓΟΣ ΙΣΟΣ ΑΝΤΙΚΕΙΤΑΙJoist 36NOSTRA VAGATVR IN TENEBRIS NEC CÆCA POTEST MENS CERNERE VERVMJoist 37FECIT DEVS HOMINEM SIMILEM VMBRÆ DE QVA POST SOLIS OCCASVM QVIS IVDICABIT · ECCL · 7 ·Joist 38SOLVM CERTVM NIHIL ESSE CERTI ET HOMINE NIHIL MISERIVS AVT SVPERBIVSJoist 39EX TOT DEI OPERIBVS NIHILO MAGIS QVIDQVAM HOMINI COGNITVM QVAM VENTI VESTIGIVM · ECCL · II ·Joist 40ΑΛΛΟΙΣΙΝ ΑΛΛΟΣ ΘΕΩΝ ΤΕ ΚΑΝΘΡΩΠΩΝ ΜΕΛΕΙJoist 41ΕΦ Ω ΦΡΟΝΕΙΣ ΜΕΓΙΣΤΟΝ ΑΠΟΛΕΙ ΤΟΥΤΟ ΣΕ ΤΟ ΔΟΚΕΙΝ ΤΙΝ ΕΙΝΑΙJoist 42ΤΑΡΑΣΣΕΙ ΤΟΥΣ ΑΝΘΡΩΠΟΥΣ ΟΥ ΤΑ ΠΡΑΓΜΑΤΑ ΑΛΛΑ ΤΑ ΠΕΡΙ ΤΩΝ ΠΡΑΓΜΑΤΩΝ ΔΟΓΜΑΤΑJoist 43ΚΑΛΟΝ ΦΡΟΝΕΙΝ ΤΟΝ ΘΝΗΤΟΝ ΑΝΘΡΩΠΟΙΣ ΙΣΑJoist 44QVID ÆTERNIS MINOREM CONSILIIS ANIMVM FATIGASJoist 45IVDICIA DOMINI ABYSSVS MVLTA · PSAL · 35 ·Joist 46ΟΥΔΕΝ ΟΡΙΖΩMaster beam oneIVDICIO ALTERNANTEΑΚΑΤΑΛΗΠΤΩΟΥΔΕΝ ΜΑΛΛΟΝΑΡΡΕΠΩΣMaster beam twoΟΥ ΚΑΤΑΛΑΜΒΑΝΩΕΠΕΧΩΣΚΕΠΤΟΜΑΙMORE DVCE ET SENSVthe round room, sixteen paces across; schematic, after Legros

Joist 38 · third bay · painted facing the other way

SOLVM CERTVM NIHIL ESSE CERTI ET HOMINE NIHIL MISERIVS AVT SVPERBIVS

Only one thing is certain: that nothing is certain. And nothing is more wretched than man, or prouder.

Pliny the Elder, Natural History II · in the Essais, II.12 and II.14

40 of 48
Every guidebook puts Que sais-je? up here. It is not there, which would have pleased him very much.

None of this was his idea. His father came home from the Italian wars with a theory of education, and the boy was the experiment.

Chap. III.Of Waking

after I.25folio 14

He is asleep. Choose the music, and wake him.

The musician brings

Morning IWoken by music: 0Turned to the wall: 0Brains troubled and disturbed: 0

Every precaution was taken against startling him. The result, in his own words: “so heavy, idle, and indisposed, that they could not rouse me from my sloth.”

It worked the way habits work, by steps too small to notice. He knew a story about that, and he lived under a bell.

Chap. IV.Of Custom

after I.22folio 23

Tap for one morning; hold it down and the days go by. The bell is his.

Morning 0. The calf weighs 5 stone; since yesterday, nothing yet. Mornings it was too heavy: 0.

The calf is new, and so is the habit. She has not lifted it yet.

Nobody can lift an ox. Anyone can lift yesterday’s calf. Count what you carried in this morning.

The experiment grew into a man who doubted almost everything except that it is good to be alive, and who thought the way to keep it good was to get used to dying. The Egyptians, he noted, did it at dinner.

Chap. V.That to Study Philosophy is to Learn to Die

after I.19folio 29

Do as the Egyptians did, in the height of the feast. Then do it again. Click the plate, or press Space.

Brought in: 0. Shrieks: none yet.

A feast, in the height of mirth. The Egyptians, at about this point, “caused a dried skeleton of a man to be brought into the room.”

Death came to dinner eight times and did nothing at all. The guests did: they stopped shrieking, then stopped serving, and the feast was merrier than when it began.

Learning to die, he found, was mostly a way of learning to live, and living was not a thing to put off until he deserved it.

Chap. VI.Of Living Now

after III.13folio 35
when I havemore moneywhen I havea place at courtwhen I havea finer figurewhen I havea grander namewhen the bookis finishedwhen the vinesare paid forwhen I ama wiser manDay-book of things donethis day, at MontaigneDined, and talked long.— nothing done.lived.Slept an hour after.— nothing done.lived.Walked in the vines.— nothing done.lived.A friend at the door.— nothing done.lived.Read in Plutarch.— nothing done.lived.Laughed, till supper.— nothing done.lived.appendices and propsto reignto lay up treasureto build

    Each rung is one condition met and one hour gone by. When you have climbed enough, ask him.

    Rungs climbed: 0. Rungs left to the top: one more. Hours entered as nothing done: 0.

    Noon. The day-book is open; the ladder is against the wall. He has a great deal to become first.

    The ladder is still there, and he may climb it. He no longer has to reach the top before dinner.

    He practised, and then he nearly had the chance, out for a quiet ride near home.

    Chap. VII.Of a Fall

    after II.6folio 41

    Times thrown: 0. Times it hurt: 0.

    About a league from home, on “a horse that went very easy upon his pace, but was not very strong.”

    He fell once, and called it practice. You may practise as often as you like; the servant has still not been named.

    He got up, and spent the twenty-odd years he had left writing, mostly in his own margins. Here are four passages as they grew: choose one, and then a year.

    Chap. VIII.Of Adding

    after III.9folio 48

    Essais I.28, Of friendship

    If a man should importune me to give a reason why I loved him, I find it could not be expressed. There is, it seems, beyond all that I am able to say, I know not what divine and fated power that brought on this union.

    In print, seventeen years after La Boétie’s death, he tries to say why he loved him, and cannot, and says so.

    see the page in his copy, fol. 71v

    Not quite true. In his own copy he strikes out divine and writes inexplicable over it.

    What he added was mostly himself, in small things, on the principle that the big ones are made of them. Begin with the nose.

    Chap. IX.Of Smells

    Essais I.55folio 55
    • nothing on the moustache yet
    Touch anything in the cabinet. It goes straight to the moustache, and stays the day. Smells kept for the day: 0.
    Smells kept for the day: none, so far.

    He watched other people as closely, especially the ones his neighbours called savages, who had some remarks to make about his neighbours.

    Chap. X.Of Cannibals: Three Remarks

    Essais I.30folio 59
    Rouen, 1562. Three Tupinambá men, brought from Brazil, are shown the king, who is twelve, and the city, and asked what they found most remarkable. They name three things.
    Remembered: 2. Forgotten: 1.
    Three cards on the king’s cloth, face down. Turn one over. The third is the one he forgot.
    Montaigne forgot it in 1580; this page forgets it again every time.

    Their second remark was about the men they saw full and crammed with good things while their halves begged at the doors. His own answer was to undress the king.

    Chap. XI.Of the Inequality amongst us

    Essais I.42folio 70

    Or choose what comes off below, or click it on the plate. Space or Enter takes the next thing.

    Taken off the king: 0 of 7. His height by the rule: 8 ft 7 in. As reputed: 16 ft 7 in.

    A king on his pedestal, beside a porter. By the rule, the king is the taller man by three feet and an inch.

    Measured in his shirt, the king came to five foot six, and so did the porter. The rule has no mark for the rest, and that was the part Montaigne wanted measured.

    The king's robes are borrowed from the eyes of his subjects. So, he noticed, are most of ours.

    Chap. XII.Of Glory

    after I.41folio 76

    The Lady asks: “Monsieur, how did you find my sonnet?” Choose how he answers.

    Cheers: 0. Sneers: 0. Yawns: 0. Glory caught: 0 in 0 reaches.

    The court is seated. Each of them has a question, and a card.

    The court never once agreed about him, which left him free to agree with himself.

    Most of his chapters wander off their titles. One of them, barely a page long, keeps its word exactly.

    Chap. XIII.Of Thumbs

    Essais II.26folio 82
    Plate I. The verdict

    On one knee, appealing: Priscus.

    He is down, and appeals to the stands with one finger. Your thumb, please.

    Verdicts given: 0. Given as you meant them: 0.

    Plate II. A treaty, by the thumbs
    Here the engraverlooked away.

    Tacitus reports, that amongst certain barbarian kings their manner was, when they would make a firm obligation,

    Treaties sealed: 0. Thumbs pricked: 0.

    The chapter ends, without a word of comment, on Spartan schoolmasters biting their pupils’ thumbs. So does this one.

    All of this began because, at thirty-eight, he retired to his tower to do nothing at all. It went badly.

    Chap. XIV.Of Idleness

    Essais I.8folio 83

    Fig. The mind, broke from its rider

    Instructions: do nothing.

    A Register of Chimaeras and Fantastic Monsters

    kept, as his was, to make the mind ashamed of itself

    Empty.

    Born 0. Alive 0 of 7. Sent away 0.

    He wrote his monsters down to make his mind ashamed of itself. The register ran to three books.

    An idle mind breeds monsters. A busy one, he found, can make you ill, and cure you, on its own.

    Chap. XV.Of the Force of Imagination

    Essais I.20folio 88

    You are the ingenious fellow sent for. Click the plate, or the button. The guest at the back coughs if you click him.

    Pins in her throat: 0. Her pain: intolerable. Montaigne’s cough, caught: 0.

    “A woman fancying she had swallowed a pin in a piece of bread, cried and lamented as though she had an intolerable pain in her throat.”

    No pin went down and none came up. She was cured of it all the same.

    A pin can do that much. He wanted every pin, tile and stumble to remind him of something larger.

    Chap. XVI.Of Looking for Him Everywhere

    after I.19folio 93

    Click or tap wherever you think he is; Tab walks the likely places. He is small, and he is in ten of them.

    Found: 0 of 10. Montaigne: startled.

    An ordinary morning. A tile slips, the horse stumbles, and Montaigne jumps. Somewhere in it, ten times, is the thing he jumped at.

    By the tenth he had stopped jumping, and the two of them were sharing a step.

    Twenty years of writing himself down taught him that he was never the same man twice, and that each of them was telling the truth.

    Chap. XVII.Of the Inconstancy of our Actions

    Essais II.1folio 98

    Blow from either corner, tap the sky, or drag the vane round. Three puffs in one spin make a gale. On the keyboard, the arrow keys turn it a point and Enter blows on it.

    The present reading

    Still air.

    For the moment he is nothing in particular.

    The ledger the last six readings

    1. Nothing yet; the air is still.

    Readings taken: 0. Correct: 0.

    Every reading is correct.

    If no man is the same twice, how is he to live? His last chapter answers in an orchard.

    Chap. XVIII.Of Experience

    after III.13folio 104

    Tap a thought, or the button, or press space, to call him back to the orchard. Or leave him be; it wears off by itself.

    Some part of the time, called back: 0. The other part, elsewhere: 0.

    He is walking in his orchard. For the moment, only that.

    Montaigne came back to his orchard some part of the time. The rest of the time he was upstairs, writing that one should.

    He read the way he wrote, one book and then another, without method or design. So open his anywhere: it falls open where a real copy would, more often in the long chapters than the short.

    Chap. XIX.Of a Hundred and Seven Chapters

    after III.9folio passim
    or choose a chapter below

    The book is shut. Opened anywhere, it falls open in the long chapters more often than the short, as a real copy does: a sixth of the whole is the Apology for Raymond Sebond.

    The first book 1 That men by various ways arrive at the same end2 Of sorrow3 That our affections carry themselves beyond us4 That the soul expends its passions upon false objects, where the true are wanting5 Whether the governor of a place besieged ought himself to go out to parley6 That the hour of parley is dangerous7 That the intention is judge of our actions8 Of idleness (why he began to write)9 Of liars10 Of quick or slow speech11 Of prognostications12 Of constancy13 The ceremony of the interview of princes14 That the relish for good and evil depends in great measure upon the opinion we have of them15 That men are justly punished for being obstinate in the defence of a fort that is not in reason to be defended16 Of the punishment of cowardice17 A proceeding of some ambassadors18 Of fear19 That men are not to judge of our happiness till after death20 That to study philosophy is to learn to die21 Of the force of imagination (among other things, a man who could break wind in tune)22 That the profit of one man is the damage of another23 Of custom, and that we should not easily change a law received24 Various events from the same counsel25 Of pedantry26 Of the education of children27 That it is folly to measure truth and error by our own capacity28 Of friendship29 Twenty-nine sonnets of Étienne de La Boétie30 Of moderation31 Of cannibals (the Brazilians, and the Europeans, who were worse)32 That a man is soberly to judge of the divine ordinances33 That we are to avoid pleasures, even at the expense of life34 That fortune is oftentimes observed to act by the rule of reason35 Of one defect in our government36 Of the custom of wearing clothes37 Of Cato the younger38 That we laugh and cry for the same thing39 Of solitude40 A consideration upon Cicero41 Not to communicate a man’s honour42 Of the inequality amongst us43 Of sumptuary laws44 Of sleep45 Of the battle of Dreux46 Of names47 Of the uncertainty of our judgment48 Of war horses, or destriers49 Of ancient customs50 Of Democritus and Heraclitus51 Of the vanity of words52 Of the parsimony of the ancients53 Of a saying of Caesar54 Of vain subtleties55 Of smells (chiefly his moustache)56 Of prayers57 Of age

    The second book 1 Of the inconstancy of our actions2 Of drunkenness3 A custom of the isle of Cea4 To-morrow’s a new day5 Of conscience6 Use makes perfect (falling off a horse, and nearly dying, pleasantly)7 Of recompenses of honour8 Of the affection of fathers to their children9 Of the arms of the Parthians10 Of books11 Of cruelty12 Apology for Raimond Sebond (doubting everything, Sebond included)13 Of judging of the death of another14 That our mind hinders itself15 That our desires are augmented by difficulty16 Of glory17 Of presumption18 Of giving the lie19 Of liberty of conscience20 That we taste nothing pure21 Against idleness22 Of posting23 Of ill means employed to a good end24 Of the Roman grandeur25 Not to counterfeit being sick26 Of thumbs (thumbs)27 Cowardice the mother of cruelty28 All things have their season29 Of virtue30 Of a monstrous child31 Of anger32 Defence of Seneca and Plutarch33 The story of Spurina34 Observations on the means to carry on a war according to Julius Caesar35 Of three good women36 Of the most excellent men37 Of the resemblance of children to their fathers (kidney stones, which he had from his father, and doctors)

    The third book 1 Of profit and honesty2 Of repentance3 Of three commerces4 Of diversion5 Upon some verses of Virgil (sex, frankly, and growing old)6 Of coaches (the conquest of Mexico and Peru, after a page on coaches)7 Of the inconvenience of greatness8 Of the art of conference9 Of vanity (travel, his house, and his Roman citizenship)10 Of managing the will11 Of cripples (the new calendar, witches, and a proverb about lame lovers)12 Of physiognomy13 Of experience (his body, his habits, and how to live)

    Of Coaches is about Peru. Of Cripples is about witches. Upon some Verses of Virgil is about sex.

    Chap. the last.Of the End

    He had written that he wanted death to find him "planting my cabbages, indifferent to him, and still less of my gardens not being finished."even here he added It found him at home, at fifty-nine, in September 1592, with the book still growing in its margins.

    Near the end of the last chapter, after twenty years of watching himself, he observes that it is no use going upon stilts, since on stilts we must still walk with our legs;

    and when seated upon the most elevated throne in the world, we are but seated upon our breech.

    Of the sources. The English throughout is Charles Cotton's translation of 1685-86, as revised by William Carew Hazlitt in 1877 (Project Gutenberg, no. 3600), except the preface "To the Reader", which Cotton left out and Hazlitt translated. Chapters are numbered as in that edition, which differs from modern ones in the first book. The chapters of this page are drawn from his, and his words in them are his; what the cat, the boy, the servant, the household and the reader do and say in them is written for this page, and so is every caption. The four passages that grow, and their French, are from the Villey-Saulnier edition with its layers marked, as published online by the ARTFL Montaigne Project (University of Chicago); the words he struck out are read from the photographs of the Bordeaux Copy itself. The ceiling follows Alain Legros, Sentences peintes au plafond de la bibliothèque de Montaigne (Bibliothèques Virtuelles Humanistes, Tours, 2013), for every transcription, position and source; the English of the sentences is ours, and the plan is a schematic, not a survey. The pages opened at random are passages from all hundred and seven chapters, chosen by scripts/build-montaigne-pages.py.

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